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Monthly Archives: July 2013
The Great Paynter European Photo Adventure- Post One
I just finished a 30-day trek around southern Europe with my best friend (my wife Barbara), and my Lumix G5. This composite shot (one of over 4500 taken during the trip) is of one of the Dresden Museums, just down … Continue reading
Posted in Tonality and Appearance, Underpinnings and Core Issues
Tagged abstract art, basic photography, black and white, camera modes, camera sensor, cloudy, color compensation, color correction, color photography, contrast, cookie cutter, Digital Camera, digital image, digital noise, Digital Photography, film grain, graphic equalizer, grayscale, halftone, human eyesight, image editing, image repair, image shaping, internal contrast, JPG, overcast, photo editing, photography, photography basics, photography tips, photoshop, primer for newbies, raw, saturation, shadow detail, spectral, three-quarter tones, tonality, visual cortex, white balance
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Shedding Light on Black and White Part 3: The Digital Conversion
A comparison between the way film-based cameras and digital cameras capture spectral information and transpose that information into black and white images. Photography is all about Light. The more we understand about the way light behaves, the better we will … Continue reading
Posted in Analog and Digital Photography, Underpinnings and Core Issues
Tagged abstract art, basic photography, black and white, camera modes, camera sensor, cloudy, color compensation, color correction, color photography, contrast, cookie cutter, Digital Camera, digital image, digital noise, Digital Photography, film grain, graphic equalizer, grayscale, halftone, human eyesight, image editing, image repair, image shaping, internal contrast, JPG, overcast, photo editing, photography, photography basics, photography tips, photoshop, primer for newbies, raw, saturation, shadow detail, spectral, three-quarter tones, tonality, visual cortex, white balance
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