Monthly Archives: March 2018

The Visible Spectrum: RGB Color Voodoo

Session three continues the magical mystery tour through the land of color. Now that we know that the camera actually sees color in black and white (see the two prior posts) and that RGB colors produce CMY(K) colors, we move … Continue reading

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The Visible Spectrum: RGB Channels Explained

On my last post, I displayed this color photo of an Olympic Volleyball game. Surrounding the picture are the individual RGB channels that make up the color photo. If you really look at these individual channels, something probably doesn’t make … Continue reading

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The Visible Spectrum: What Your Camera Sees

I’ve had a number of requests to explain (in layman’s terms) some of the principles of color science as they apply to photography. The more you understand about the science of light and color behind the art of photography, the more … Continue reading

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SOOC vs Post-Production

There is an argument coming from photo purists that “honest” photography must come straight out of the camera… with no post production. Post-production is looked at like a crutch. I’ve even heard the comment that “I capture the image in … Continue reading

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White Balance Can Destroy Color

When it comes to setting the color temperature in a scene, make an intelligent choice. Sometimes taking a neutral position on things isn’t really the safe thing to do – sometimes it’s actually downright destructive! Redefining Intelligence. Regardless of what … Continue reading

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Print Publication Quality Control

A lot has changed with the quality of print publications over the last fifteen years, and not all of it for the good. I have ink in my blood from working publications inside and out for decades. I’ve shot and … Continue reading

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Hiding in the Shadows

There is usually a lot of detail lost in the darkest parts of an image. This happens simply because your camera can’t see in the dark. There is simply more dynamic light range in the scene than the camera can … Continue reading

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A Lifelong Quest for Image Clarity

The title sounds ominous enough. My first attempts to produce “snappy” pictures in print started in my sophomore year in college. I was the production manager for our college magazine and was determined to make the images in publication pop off … Continue reading

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