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Tag Archives: shadow detail
A Lifelong Quest for Image Clarity
The title sounds ominous enough. My first attempts to produce “snappy” pictures in print started in my sophomore year in college. I was the production manager for our college magazine and was determined to make the images in publication pop off … Continue reading
Posted in Analog and Digital Photography, Opinions
Tagged abstract art, basic photography, black and white, camera modes, camera sensor, cloudy, color compensation, color correction, color photography, contrast, cookie cutter, Digital Camera, digital image, digital noise, Digital Photography, film grain, graphic equalizer, grayscale, halftone, human eyesight, image editing, image repair, image shaping, internal contrast, JPG, overcast, photo editing, photography, photography basics, photography tips, photoshop, primer for newbies, raw, saturation, shadow detail, spectral, three-quarter tones, tonality, visual cortex, white balance
5 Comments
To Be (Visibly Appealing) or Not To Be, THAT is the Question!
I’m toying with a new idea, and it all has to do with photo quality. In particular, the real estate photo listings. On my last post I noted that it seems that few people actually care about the quality of … Continue reading
Posted in Opinions, Tonality and Appearance, Underpinnings and Core Issues
Tagged abstract art, basic photography, black and white, camera modes, camera sensor, clarity, cloudy, color compensation, color correction, color photography, contrast, cookie cutter, Digital Camera, digital image, digital noise, Digital Photography, film grain, graphic equalizer, grayscale, halftone, human eyesight, image editing, image repair, image shaping, internal contrast, JPG, overcast, photo editing, photography, photography basics, photography tips, photoshop, primer for newbies, raw, real estate photos, saturation, shadow detail, spectral, three-quarter tones, tonality, visual cortex, white balance
2 Comments
Does It Really Matter Anymore?
Lately, I’ve come to the uncomfortable reality that perhaps my obsession with delivering clarity and definition in the digital photographs is much more important to me than it is to many in the Internet (and even print) publishing community. From … Continue reading
Posted in Tonality and Appearance, Underpinnings and Core Issues
Tagged abstract art, basic photography, black and white, camera modes, camera sensor, clarity, cloudy, color compensation, color correction, color photography, contrast, cookie cutter, Digital Camera, digital image, digital noise, Digital Photography, film grain, graphic equalizer, grayscale, halftone, human eyesight, image editing, image repair, image shaping, internal contrast, JPG, overcast, photo editing, photography, photography basics, photography tips, photoshop, primer for newbies, raw, saturation, shadow detail, spectral, three-quarter tones, tonality, visual cortex, white balance
18 Comments
The Great Paynter European Photo Adventure- Post One
I just finished a 30-day trek around southern Europe with my best friend (my wife Barbara), and my Lumix G5. This composite shot (one of over 4500 taken during the trip) is of one of the Dresden Museums, just down … Continue reading
Posted in Tonality and Appearance, Underpinnings and Core Issues
Tagged abstract art, basic photography, black and white, camera modes, camera sensor, cloudy, color compensation, color correction, color photography, contrast, cookie cutter, Digital Camera, digital image, digital noise, Digital Photography, film grain, graphic equalizer, grayscale, halftone, human eyesight, image editing, image repair, image shaping, internal contrast, JPG, overcast, photo editing, photography, photography basics, photography tips, photoshop, primer for newbies, raw, saturation, shadow detail, spectral, three-quarter tones, tonality, visual cortex, white balance
2 Comments
Shedding Light on Black and White Part 3: The Digital Conversion
A comparison between the way film-based cameras and digital cameras capture spectral information and transpose that information into black and white images. Photography is all about Light. The more we understand about the way light behaves, the better we will … Continue reading
Posted in Analog and Digital Photography, Underpinnings and Core Issues
Tagged abstract art, basic photography, black and white, camera modes, camera sensor, cloudy, color compensation, color correction, color photography, contrast, cookie cutter, Digital Camera, digital image, digital noise, Digital Photography, film grain, graphic equalizer, grayscale, halftone, human eyesight, image editing, image repair, image shaping, internal contrast, JPG, overcast, photo editing, photography, photography basics, photography tips, photoshop, primer for newbies, raw, saturation, shadow detail, spectral, three-quarter tones, tonality, visual cortex, white balance
1 Comment
Shedding Light on Black and White
A comparison between the way film-based cameras and digital cameras capture spectral information and transpose that information into black and white images. Photography is all about Light. The more we understand about the way light behaves, the better we … Continue reading
Posted in Analog and Digital Photography, Underpinnings and Core Issues
Tagged abstract art, basic photography, black and white, camera modes, camera sensor, cloudy, color compensation, color correction, color photography, contrast, cookie cutter, Digital Camera, digital image, digital noise, Digital Photography, film grain, graphic equalizer, grayscale, halftone, human eyesight, image editing, image repair, image shaping, internal contrast, JPG, overcast, photo editing, photography, photography basics, photography tips, photoshop, primer for newbies, raw, saturation, shadow detail, spectral, three-quarter tones, tonality, visual cortex, white balance
2 Comments
Dreamers, Mechanics, Propeller heads, and Pundits
Pardon my absence for the two weeks or so, I’ve been doin’ some personal rearranging. This started by engaging in some personal reflection. Always revealing, but somewhat dangerous. Please don’t get offended at this silliness. It just lets me grasp … Continue reading
Posted in Opinions
Tagged abstract art, basic photography, black and white, camera modes, camera sensor, cloudy, color compensation, color correction, color photography, contrast, cookie cutter, Digital Camera, digital image, digital noise, Digital Photography, film grain, graphic equalizer, grayscale, halftone, human eyesight, image editing, image repair, image shaping, internal contrast, JPG, overcast, photo editing, photography, photography basics, photography tips, photoshop, primer for newbies, raw, saturation, shadow detail, spectral, three-quarter tones, tonality, visual cortex, white balance
2 Comments
My Understanding of Photography Began in the Pressroom
The printing industry taught me valuable lessons about photography. And what I learned first, they don’t even cover in photography school, though it’s probably the reason why my images print right every time. You see, I learned about the photography … Continue reading
Posted in Tonality and Appearance, Underpinnings and Core Issues
Tagged abstract art, basic photography, black and white, camera modes, camera sensor, cloudy, color compensation, color correction, color photography, contrast, cookie cutter, Digital Camera, digital image, digital noise, Digital Photography, film grain, graphic equalizer, grayscale, halftone, human eyesight, image editing, image repair, image shaping, internal contrast, JPG, overcast, photo editing, photography, photography basics, photography tips, photoshop, primer for newbies, raw, saturation, shadow detail, spectral, three-quarter tones, tonality, visual cortex, white balance
2 Comments
Color Management: The Conception, Misconception, Birth and Afterbirth. I Remember it All Too Well.
THE WAY IT WERE I had spent the prior 20 years laboring inside the color separation/printing industry when all the digital feces hit the photo-lithographic fan back in the mid eighties. Shortly thereafter I found myself consulting with an upstart … Continue reading
Posted in Color Management, Underpinnings and Core Issues
Tagged abstract art, basic photography, black and white, camera modes, camera sensor, cloudy, color compensation, color correction, color photography, contrast, cookie cutter, Digital Camera, digital image, digital noise, Digital Photography, film grain, graphic equalizer, grayscale, halftone, human eyesight, image editing, image repair, image shaping, internal contrast, JPG, overcast, photo editing, photography, photography basics, photography tips, photoshop, primer for newbies, raw, saturation, shadow detail, spectral, three-quarter tones, tonality, visual cortex, white balance
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Neither Your Eyes Nor Your Camera Can Actually See Color. They See White Light!
Don’t tune me out just yet. It’s actually true. What few people realize about capturing color images is that each capture starts in black and white. There is no such thing as capturing color! Let me try that from a slightly different approach. … Continue reading
Posted in Underpinnings and Core Issues
Tagged abstract art, basic photography, black and white, camera modes, camera sensor, cloudy, color compensation, color correction, color photography, contrast, cookie cutter, Digital Camera, digital image, digital noise, Digital Photography, film grain, graphic equalizer, grayscale, halftone, human eyesight, image editing, image repair, image shaping, internal contrast, JPG, overcast, photo editing, photography, photography basics, photography tips, photoshop, primer for newbies, raw, saturation, shadow detail, spectral, three-quarter tones, tonality, visual cortex, white balance
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The Way Eye Sees It 